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BlackChampagne -- no longer new; improvement also in question.: "My Humps" spurs dialogue. No, really.



Wednesday, April 25, 2007  

"My Humps" spurs dialogue. No, really.


Interesting article about the phenomena created by Alanis Morisette's parody video of the Black Eyed Peas' My Humps song/video. I saw it some weeks ago when it hit and thought it was either brilliant or idiotic, and my opinion has not changed. Though I think I'm leaning towards brilliant, if only slightly. (The original song/video remains squarely between "loathesomely catchy" and "idiotic.")

Actually, I have to amend that. I just You Tube'd up the Peas' My Humps video, and realized I'd never actually watched the video before. The rating needle is definitely leaning towards "idiotic" now, though at least I now understand why Alanis is lying on suitcases and a bunch of random guys are sitting around on a car during her video.

Anyway, the article is from the LA Times entertainment section, and here's a quote:
At first glance, it simply looks like another pass-along parody, a takeoff on the original "My Humps" hit by the Black Eyed Peas. But Morissette's video is armed with a provocative subtext that has people abuzz with debate. It's a fascinating piece of video art, an inspired combination of satire, social criticism and career reinvention that is a signature artifact of today's viral Web culture.

On one level, "My Humps" is a commentary on dim-bulb pop. The Black Eyed Peas' "My Humps," though a huge smash, was widely mocked for its vapid, suggestive lyrics. (Sample: "The boys they wanna sex me, they always standing next to me, always dancing next to me, tryin' a feel my hump, hump.") The video, featuring Fergie, the group's lead singer, was, if possible, even tawdrier. Full of nonstop teasing and thrusting, it's the kind of hip-hop booty porn that would make great torture material for Muslim prisoners at our Guantanamo Bay prison camp.

Dressing herself Fergie-style, with baubles and bling, surrounded by black-clad male dancers, Morissette retained the original's visual sluttiness but replaced the Peas' thumping rhythm track with a pensive solo piano. By removing the intoxicating bass line and clearly enunciating the crass lyrics, she gave the song's sexpot swagger a new tone of sadness and desperation while simultaneously parodying her own artistic tendencies toward self-absorbed angst.

It's a striking performance, functioning as both social criticism and self-criticism.
The article goes on to say that one reason Alanis' version is creating so much buzz and debate is... that she's not doing any press about it, and not using it as a viral thing to promote a new album/tour/whatever. It's amusing and depressing that in this day and age, someone creating something interesting and entertaining simply for the sake of being interesting and entertaining is in of itself newsworthy.

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Comments:

This doesn't have much to do with music, but it's something that I love to keep up with movies and anime and videos. A friend found it, and it has many movies that are still in theaters and not released to video, as well as many movies that are already out. The quality isn't always perfect, but they keep it generally around 80-85% clarity. Also a great place for anime lovers to find all their episodes!

Here's the link..
http://www.tv-links.co.uk/


 

I actually never understood the lyrics to the song until I watched the Morissette version! lol! I told the hubby I must be getting old, if I can only stand the slow ballad versions of "hip" songs. I thought the Morissette version was pretty hilarious and brilliant in the way that it's not so much the words sometimes as it is the interpretation and really does give a dimension to the essentially hip-hop "woman empowerment" song.


 

Hey Jason, doesn't it seem like the bootlegged links are somewhat illegal or am I failing to see how it works?


 

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